The Antarctic Book of Cooking and Cleaning

"My flask, an integral part of my cold-weather art kit" from Maria Coryell-Martin website

In Wendy’s many bags she carted to our Antarctic environmental project with the Russian Antarctic Expedition were paintbrushes as well as cookbooks and kitchen items.  She was resident artist and indispensable cook. Regretfully, Wendy didn’t have a lot of free time to pursue art but our forthcoming book, The Antarctic Book of Cooking and Cleaning, includes her journal excerpts in which she documents what she was able to create with found objects and notes the ideas that brewed and shaped her future work (such as her Antarctic Chronicles). Wendy didn’t paint with vodka in the Antarctic but we drank it and our book features a home-made Russian vodka recipe. Antarctica is the place for adaptation, innovation and learning from past Antarcticans and from nature.

Which brings us to innovating and painting with vodka. A young America artist, Maria Corvell-Martin, learned from early Antarctic artist Edward Wilson about this cold-weather tip. She is a self-described Expeditionary Artist.

Maria’s major painting project in the Antarctic led her to a discovery.

“I add vodka to my waterbrushes to help keep them from freezing, a trick I learned from the journals of Edward Wilson. He traveled to Antarctica with Robert Scott in the early 1900s, unfortunately dying there in 1912 on their ill-fated attempt to reach the South Pole. Wilson was a doctor, ornithologist, and artist whose work continues to inspire me.”

Her ‘recipe’: “In the real cold, I’ve just been using straight vodka! Sometimes I use gin, too. When I do mix with water, it’s typically in the range of fifty-fifty or 3/4 alcohol. Another idea is to bring a thermos with some warm water. At some point, I just give in and use pencil with color notes, then complete the piece under shelter. Experiment and see what works for you.”

Maria says “I work in the tradition of traveling artists as naturalists and educators. Since 2005, I have focused on painting polar and glaciated regions where I have often collaborated with scientific teams. In the field, I sketch with ink and watercolor, and collect multimedia recordings to build my palette of place, a record of experience, climate, and color. I develop this work into studio paintings for exhibit as well as presentations and workshops for audiences of all ages to cultivate observation, scientific inquiry, and environmental awareness.”

Maria Coryell-Martin

Walkies: Dr Edward Wilson sketches men on the expedition exercising two of the ponies they had taken with them to the Antarctic. Copyright: BNPS

We love to meet people also investigating and creating in the art-science realm. Also check out her newer project, Imagining the Arctic where she also uses vodka in Greenland to paint.

Maria Coryell-Martin

5" x 5" number sixteen: Red Tern. Maria Coryell-Martin. Arctic Terns migrate to Antarctica!

Storm front Antarctica Maria Coryell-Martin

”]”]Imagining the Arctic: Communicating Climate Science through Art

Maybe you know that Antarctic is preserved, for now, as a continent important to the common heritage of humanity. Antarctica holds the vast majority of the world’s fresh water and ice. It was in this spirit of international cooperation that Wendy Trusler, The VIEW Foundation, the volunteers and I went to Antarctica to collaborate with the Russian Antarctic Expedition to help clean up Antarctica. This work was a tiny but symbolic step and is the basis of The Antarctic Book of Cooking and Cleaning.

How about seeds, as part of common heritage of humanity? Near the opposite pole, in the Arctic is this amazing significant place and another beacon of global cooperation. A global seed vault, up there in Svalbard, on a Norwegian island. First I found this image and thought, what the heck is this building popping out of the snow? It’s a cooler thing than I could imagine.

Photo: Mari Tefre/Svalbard Global Seed Vault 26.02.2008.

Photo: Mari Tefre/Svalbard Global Seed Vault 26.02.2008.

From The Norwegian Government’s Ministry of Agriculture and Food website:

“The history of Svalbard Global Seed Vault starts as early as 1983. In common with other big projects, it’s been a long and not very easy journey.

Preserving seed from food plants is an absolutely essential part of the work of preserving the world’s biodiversity, adapting to climate change and global warming and thereby ensuring food for the world’s population for the foreseeable future. There are hundreds of gene banks around the world. But some of them are vulnerable to natural disasters, war or the lack of management or finance. The foundation of a global ”central bank” for the world’s seeds (primarily of food plants) has therefore long been an issue.

Nordic Genetic Resource Centre in 1983
The first initiative for the creation of a safety deposit for seeds in permafrost was taken by the Nordic Genetic Resource Centre (NBG) as early as the early 80s. Svalbard, along with Greenland and the Jotunheim mountains, was assessed as a possible location at an early date. NBG visited Svalbard in 1983 and it was eventually decided to store seeds 300 metres inside a disused mine, mine 3, near Longyearbyen, where there was a permafrost of minus 3-4 degrees.

Who owns the worlds heritage?

In the early 90s there was heated debate between the various member countries of the FAO about patenting and access to genetic resources. Developing countries wished to receive part of the proceeds from the commercial seed industry, since the diversity mainly came from their areas, whilst the commercial seed industry wanted free access to such resources and the opportunity to patent the seeds. This led to a polarised atmosphere with little mutual trust regarding the administration of seed. The lack of international agreements to regulate this area eventually became an obstacle … Together with the Norwegian authorities they decided to shelve the plans for an international safety deposit for seeds in Svalbard.

The breakthrough
The turning point came when FAO’s International Treaty for Plant Genetic Resources for Food and Agriculture came into force in 2004. This created a new basis for taking the plans up again. The Norwegian Ministry of Foreign Affairs and the Ministry of Agriculture and Food took up the challenge. A group of Nordic and international experts under the direction of Noragric at the Norwegian University of Life Scientists (UMB) were appointed to carry out a preliminary study. In September 2004 the group put forward an unambiguously positive report, which concluded that suitable locations were to be found in Svalbard. The report recommended that a chamber should be built inside the mountain. It was also stressed that the storage of seeds should be done in accordance with international gene bank standards, at minus 18 degrees, and that the seeds should be stored by the ”black box” method, that is that only the institution which deposits seeds has right of ownership and disposition over them.”

Drawing: The Directorate of Public Construction and Property

We have so much more to collaborate on globally, including food insecurity, but positive stories inspire.